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66 [sixty-six]

Possessive pronouns 1

 


66 [εξήντα έξι]

Κτητικές αντωνυμίες 1

 

 
I – my
εγώ – δικό μου
egó – dikó mou
I can’t find my key.
Δεν βρίσκω το κλειδί μου.
Den vrísko to kleidí mou.
I can’t find my ticket.
Δεν βρίσκω το εισιτήριό μου.
Den vrísko to eisitírió mou.
 
 
 
 
you – your
εσύ – δικό σου
esý – dikó sou
Have you found your key?
Βρήκες το κλειδί σου;
Vríkes to kleidí sou?
Have you found your ticket?
Βρήκες το εισιτήριό σου;
Vríkes to eisitírió sou?
 
 
 
 
he – his
αυτός – δικό του
aftós – dikó tou
Do you know where his key is?
Ξέρεις πού είναι το κλειδί του;
Xéreis poú eínai to kleidí tou?
Do you know where his ticket is?
Ξέρεις πού είναι το εισιτήριό του;
Xéreis poú eínai to eisitírió tou?
 
 
 
 
she – her
αυτή – δικό της
aftí – dikó tis
Her money is gone.
Έχασε τα λεφτά της.
Échase ta leftá tis.
And her credit card is also gone.
Έχασε και την πιστωτική της κάρτα.
Échase kai tin pistotikí tis kárta.
 
 
 
 
we – our
εμείς – δικό μας
emeís – dikó mas
Our grandfather is ill.
Ο παππούς μας είναι άρρωστος.
O pappoús mas eínai árrostos.
Our grandmother is healthy.
Η γιαγιά μας είναι υγιής.
I giagiá mas eínai ygiís.
 
 
 
 
you – your
εσείς – δικό σας
eseís – dikó sas
Children, where is your father?
Παιδιά, πού είναι ο μπαμπάς σας;
Paidiá, poú eínai o bampás sas?
Children, where is your mother?
Παιδιά, πού είναι η μαμά σας;
Paidiá, poú eínai i mamá sas?
 
 
 
 
 


Creative Language

Today, creativity is an important feature. Everyone wants to be creative. Because creative people are considered intelligent. Our language should be creative as well. Previously, people tried to speak as correctly as possible. Today a person should speak as creatively as possible. Advertising and new media are examples of this. They demonstrate how one can play with language. For the last 50 years the significance of creativity has increased greatly. Even research is concerned with the phenomenon. Psychologists, educators and philosophers examine creative processes. Creativity is defined as the ability to create something new. So a creative speaker produces new linguistic forms. They could be words or grammatical structures. By studying creative language, linguists can identify how language changes. But not everyone understands new linguistic elements. In order to understand creative language, you need knowledge. One must know how language functions. And one must be familiar with the world in which the speakers live. Only then can one understand what they want to say. Teenage slang is an example of this. Kids and young people are always inventing new terms. Adults often do not understand these words. Now, dictionaries have been published that explain teenage slang. But they are usually already outdated after just one generation! However, creative language can be learned. Trainers offer several courses in it. The most important rule is always: activate your inner voice!

Guess the language!

______ is counted among the constructed languages. Constructed languages are deliberately created, so they follow a clear plan. Elements from different languages are mixed in the process. In this way, constructed languages should be easy to learn for as many people as possible. ______ was first introduced in Warsaw in 1887. Its founder was the doctor Ludwik L. Zamenhof (pseudonym: Dr. ______, the Hopeful). He believed that communication problems were the main cause of unhappiness. Therefore, he wanted to create a neutral language that brought people together.

Today ______ is the most well-known constructed language in the world. It is also associated with goals like tolerance and civil rights. ______ is largely Indo-European oriented. The majority of the vocabulary, for example, is originally Romanian. People in more than 120 countries are proficient in the language. They get together regularly in clubs and at international conventions. Learn ______ and find new friends!

 

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